
Geopoetics
Where the Border Runs: Tales from the River Sides
A long-term geopoetic project · 2019
With their waters, border rivers divide two countries. Yet they also bind them: places of crossing, of exchange, sometimes of refuge. On either bank, the myth of the far side endures. The waters carry desire, fear, danger, dreams.
Where the border finally cuts through the thickness of an undefined zone, men and women from different cultures and histories meet, mingle, collide. A territory where stories branch without end.
Where the Border Runs: Tales from the River Sides is a long-term geopoetic project unfolding in several chapters. Each follows a border river upstream; each descends into what is at stake along its margins.
In this series

I.Evros2020 – 2022
The Evros river draws a natural border between Greece and Turkey. For centuries this region has been a crossroads where Europe and the Middle East meet and mingle, a territory shaped by migration, by trade, by the rise and fall of empires. Today the river has become one of the main gateways into the European Union for people in exile. Every year, thousands attempt the crossing, carried by the hope of a safer life or a new beginning. Some make it. Others vanish in the current, or into the opacity of the border apparatus. In recent years the Evros has hardened into a fortified border. Fences stretch longer, patrols grow denser, surveillance technologies proliferate. Across Europe and beyond, borders are closing as states retreat behind security logic and narratives of national identity. Against that backdrop, the human stories unfolding along the river risk dissolving into figures and political rhetoric. This work seeks to return to ground level, where individual trajectories, gestures of solidarity and each person's uncertainties speak the complexity of the world.
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II.Maroni2022 – 2025
"Gold is a dream you chase to reach another dream." Along the banks of the Maroni, in French Guiana, that dream moves from camp to camp. It promises a roof, a debt wiped clean, a business of one's own, a child in school, a fresh start. To make it real, you have to dig, divert, cut, amalgamate. Turn the forest into a worksite, the earth into a scar. Gold is almost nothing, and yet it concentrates everything. Its rarity manufactures its value, its shine keeps the myth alive. Reserve, ornament, guarantee. It reassures those who hold it, fascinates those who hunt it, legitimizes the havoc it causes. Its weight is imaginary first. Its effects are concrete. Deep in the forest, far from cities and institutions, a society reassembles itself. Hidden camps, clandestine roads, improvised services, bars and shops among the trees. Capital flows under plastic tarps, by generator light. Invest, extract, turn a profit. But also live: share meals, gamble, love, dream of somewhere else. A hard life of fatigue and fever, boredom and adrenaline, where adventure runs alongside precarity. Illegal and mobile, this economy moves at the edge of the law. Armed forces hunt it down, destroy the installations, seize the equipment. The camps move on, rebuild farther out, sometimes in the same place. The chase is part of the cycle. Even in the heart of the Amazon, the model does not disappear. It condenses. A capitalist economy in its raw state, reproduced in the shade of the canopy. But the forest here is no backdrop. It is nurturing ground, a space of subsistence, a territory of transmission. For the Wayana Amerindian communities it is a sacred place, crossed by stories, knowledge and invisible bonds. The river is no mere geographic border: it structures movement, exchange, ties. When its waters turn murky, it is not only an ecosystem that falters. It is a world. In French Guiana, the price we put on gold takes material form: gaping craters, waters thick with sediment and mercury. The disaster is ecological and sanitary. The poison seeps into the food chain, passes through bodies, settles into the long term. Clandestine gold mining is one visible cause, major but not alone. The forest is being transformed in the continuity of a history made of arrivals, extractions and departures: people come, exploit, leave, trailing marks more lasting than promises. Value is decided elsewhere and leaves its imprint here. In this chapter of Where the Border Runs: Tales from the River Sides, gold mining exposes the gap between projected wealth and the land that bears it. The Maroni links distant economies to an inhabited forest, threaded with lives and memories. Gold circulates. Dreams move on. The forest still carries the weight of a single fleck.
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